kafir (or Trulosa) It had an interesting history. It started out as a life before being turned into a text by Ingmar Bergmanwho is often considered one of the greatest directors of all time. But he did not direct this screenplay; his former partner and cinematic inspiration, Liv Ullmann directed the film nearly 25 years ago.Then Bergman received a strange letter from a young Swedish film director asking him to remake the film. kafira bold gesture that any director would be able to pull off.
Surprisingly, over time, Bergman took an interest and worked with the then 36-year-old actor. Tomas AlfredsonBut the project fell through. Now, it has been expanded into a six-episode limited series created by Alfredson and writer Sarah Johnson, kafir He's backWith the first two episodes having their world premiere at the Toronto International Film Festival.).
It's understandable that the new series is broader in scope, with more room to explore each character (and even new ones), but that doesn't take away from the burning emotions. kafir. It's a limited series that will make you deeply, and often painfully, empathize with the strange choices humans make, and how and why we so easily hurt our loved ones..It's much more exciting. kafir The film is better than the 2000 one, but in a rawer, sadder way, complicated by the implications of desire. It's all played with extraordinary intensity, with a particularly emotional and melancholy performance by Frida Gustafsson as the woman in the eye of a two-man storm. It's all very good, and very wise.
Faithless forms a sensual yet sad love triangle with great lead characters.
in kafirAging film director David Howard confronts his past in Indictment and Opportunity, He remembered his previous relationship with a married woman.Marianne, and her devastating effects. Instead of having his ex-lover appear before him, as in Bergman’s original screenplay, Sarah Johnson takes a less subjective, more egalitarian approach, with an elderly Marianne visiting David. This is a clever choice, and it shifts the narrative sharply away from David’s memory and desires.
In his seventies, David is played by the excellent silver fox Jesper Christensen; he is played by a slightly sad but generally effective Gustav Lind in his younger years. The older Marianne is wonderfully played by the lovely Lina Endre, who played the younger Marianne 25 years earlier in the film version. kafir.
Frida Gustafsson gives her best performance of the year in Smart, Sad
However, it is Frida Gustafsson who is unforgettable here in one of the greatest performances of the year.As a young woman, Marianne begins the series with an infectious joie de vivre and spiritual beauty, which is made all the more painful when lust arrives in the form of her husband's young friend, David (August Wittgenstein, excellent at connecting pain to smallness). In any case, they are all too beautiful and cinematic for my taste, but this will certainly be a boon to most audiences.
When David chose Marianne to star in a movie, after some teasing, A passionate love story begins.Your TV may go blurry with the intensity of the film's action; there's remarkable chemistry between Lind and Gustafsson here that makes everything engaging, along with Alfredsson's surprisingly sensual and thoughtful direction. For the man who made one of the coolest (and best) spy movies ever (Tinker Tailor Spy Soldier), kafir It's amazing how tangible it is.moist and soft. However, all this is complemented by a feeling of extreme guilt – this is the beginning of the end.
A wise and compassionate study of sex and human failure.
kafir He is wonderfully knowledgeable in the way he approaches it. The inevitability of lust and the psychological conflict of desireThe characters are smart about their selfishness; they know the consequences. Through dialogue and the time-splitting device, kafir Bergman’s story is about how people can be so completely committed to things they are morally or logically opposed to. Bergman’s story itself is about how intellectual and moral registers can easily falter in the face of desire, like the cursed death wish. We run toward it, trampling on everything we hold dear.
David and Marianne's story is a long emotional saga as Marcus (and Marianne's daughter) finds himself in the middle of it all. There is secrecy, bitterness, compassion, tragedy and cruelty on every side of this equation. kafir The film strikes a balanced tone by not directly condemning the humanity of these characters, even as they knowingly tolerate (or accept) their most damaging decisions. In the context of an older, wiser David and Marianne, who are not bound by lust and passion, The entire series has a wisdom and maturity that is rarely found in love stories. It is a comprehensive view of things..
Faithless was recorded and filmed with the utmost sophistication.
Hans Ek's meticulously dramatic score balances characters, time periods, and emotions. Monika Lenczewska's stunning cinematography adapts to the series' progression from more innocent beginnings to full-blown emotional turmoil. It moves from the bright beauty of summer to the sweetness of autumn, and then to the dark, suffocating interior.
Everything works in tandem with Alfredson's direction and Johnson's script to present a critical but ultimately forgiving look at human failure, and every viewer can see themselves in it. kafir If they're honest enough, you'll leave the series emotionally drained but satisfied, feeling like you've learned something. And you won't be able to forget Frida Gustafsson's deeply sad but beautifully honest portrayal.
From the movie Miso, kafir The film will have its world premiere on September 11, 2024, at TIFF Lightbox, and will screen again on September 13 at the Scotiabank Theatre in Toronto.Get tickets and information here.
