Tinashe’s Freak is Unmatchable on ‘Quantum Baby’

Tinashe’s Freak is Unmatchable on ‘Quantum Baby’


Exploring new facets of her art, she showcases her adventurous approach to alternative R&B music.

Let's be honest Here: How can anyone match Tinashe's weirdness? Ten years after she first turned heads with her debut AquariusTinashe has been on a roll this year after her smash hit “2 On.” “Nasty” was one of the biggest hits of Summer 2024, a summer that wasn’t short of hits. With her deep, soothing vocals and production from Ricky Reed and Zack Sikoff, Tinashe has had us all grooving for months with “I’ve Been a Nasty Girl” stuck in our heads. She’s no newbie to the freak show game, but she’s… Quantitative child Proving that she is still exploring new aspects of her art, she showcases her adventurous approach to alternative R&B music.

Tinashe's “Nasty” has won over a whole new audience who are just starting to catch on to her crazy, underappreciated mid-2000s gems like Night trip and Have a nice tripBut she has had a hugely successful career with excellent independent albums in the past five years –A song for you, 333and B B/Ang3lwalking her own creative path. Quantitative child It is the second chapter in a trilogy that I started last year. B B/Ang3lThe film is about adult self-discovery. “What lessons have I learned?” she asks in the opening credits of “No Simulation.” “I think the answer is to go deeper,” she adds.

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Quantitative child The album builds on “Nasty” with moody electro-blues and sexy alternative R&B, combined with Tinashe’s indescribable calm. The album is short and sweet, containing eight songs in just 22 minutes, but it goes far. Her voice floats over stylistic beats back and forth, weaving between sexy EDM beats and straight-up pop choruses. “Getting No Sleep” is a gorgeous ode to a lost sex weekend, with Tinashe dominating a fierce drum and bass beat, with abrasive disco chord surges.

The vocals are subdued but evocative, as Tinashe stays on the threshold of impulsive sexual desire and full-blown romance. She encapsulates the tension on “Cross That Line,” her voice ablaze with simple finger snaps and bits of bush percussion, as she muses, “You could be the love of my life, I’m ready to cross that line,” rhyming “all in” with “fallin’.” But the confidence in her voice never seems to waver. “Nobody’s really over me,” she boasts on “No Broke Boys,” letting her new guy know he’s just another fan. “Nasty” is the highlight of the song—but how could it not be? Quantitative child It doesn't overdo the welcome, but it does show off Tinashe's charisma as an independent-minded artist – one of the most incomparable characters in the game.



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